2 edition of New perspectives on music and gesture found in the catalog.
New perspectives on music and gesture
Includes bibliographical references and index.
|Statement||edited by Anthony Gritten and Elaine King|
|Series||SEMPRE studies in the psychology of music, SEMPRE studies in the psychology of music|
|LC Classifications||ML3838 .N49 2011|
|The Physical Object|
|Pagination||xxii, 300 p. :|
|Number of Pages||300|
|ISBN 10||0754664627, 1409425177|
|ISBN 10||9780754664628, 9781409425175|
|LC Control Number||2010042013|
Reviewed by Nadia Chana. As the title indicates, this skillful and interdisciplinary book takes an embodied approach to a subject that has long been left out of music-theoretical studies of Hindustani music: non-codified, spontaneous gesture. This book presents a fresh slant on this much-told history. Focusing on the relation between music and dance, Davinia Caddy approaches the Ballets Russes with a wide-angled lens that embraces not just the choreographic, but also the cultural, political, theatrical and aesthetic contexts in Author: Davinia Caddy.
Gritten, Anthony and King, Elaine () New perspectives on music and gesture. Gritten, Anthony and King, Elaine, eds. SEMPRE Studies in the Psychology of e, Aldershot. ISBN Abstract. Building on the insights of the first volume on Music and Gesture (Gritten & King ), the rationale for this sequel volume is twofold: first, to clarify the way in which the. Title: Anthony Gritten,New perspectives on Music and Gesture Farnham:Ashgate, Author(s): Meelberg, : V. Meelberg. His book, Musicking Bodies: Gesture and Voice in Hindustani Music, investigates the tacit bodily disciplines passed down through generations of Hindustani vocalists. It maps a discursive history of gesture, analyzes the parallel expression of melody in hand and voice, and paints a new picture of how singers physically navigate raga, space, and.
Would it be possible to purchase the book, 'New Perspectives on Music and Gesture' (details below)? Gritten, Anthony and King, Elaine, eds. Farnham: Ashgate, Perspectives of New Music is a peer-reviewed academic journal specializing in music theory and was established in by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief).. Perspectives was first published by the Princeton University Press, initially supported by the Fromm Music Foundation. The first issue was favorably reviewed in the Journal of Music Discipline: Music theory and musical analysis. This book examines the music-making of four generations of princesses, noblewomen and nuns in Ferrara, as performers, creators, and patrons from a new perspective. It rethinks the relationships between polyphony and song, sacred and secular, performer and .
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SyntaxTextGen not activatedThis channel was launched to showcase instruments made by New Perspectives Music. To see more about how they are made, visit Also vis.The book can be viewed as representing the birth of evolutionary biomusicology--the study of which will contribute greatly to our understanding of the evolutionary precursors of human music, the evolution of the hominid vocal tract, localization of brain function, the structure of acoustic-communication signals, symbolic gesture, emotional 5/5(2).New Perspectives on Music and Gesture: Introduction Building on ebook insights of the first volume on Music and Gesture the infinity of interpretative perspectives as they are realized in.